Marnier could have taken another pass at the film’s secondary characters (the upcoming thriller “Saltburn” has the same problem with its dysfunctional clan), and whatever notions he’s trying to put across about the patriarchy don’t quite land. Criterion Channel subscribers may find echoes of Claude Chabrol in Marnier’s ice-water approach - faint, but present. The second-hour intrigue is sharp enough to hold your interest and the final bit of untwisting registers as near-perfect. It spoils nothing to say that there are plenty of secrets in “The Origin of Evil.” Lies, too, as well as slander, cruelty and a hidden tunnel that could only help boost the resale value of Serge’s villa if he should, you know, pass away suddenly. Did she lie out of embarrassment? Or does this woman have bigger fish to fry? In reality, she works the assembly line, sending anchovies off in their little tin coffins. Stéphane tells Serge she owns and runs a fish-packing company. Recovering from a stroke, he is attracted to her warmth, her compassion and the way she cuts his steak at the dinner table. Thing is, Serge doesn’t want Stéphane to leave. “But please don’t come back.” (And who says French hospitality is dead?) “I imagine it wasn’t easy,” George tells her when the day is over. The old man, we are told, was “popular with the women” - “some,” sniffs George, “less attractive than others.” The wide-eyed Stéphane comes to the island wanting nothing other than, she says, to meet her father, maybe sift through some abandonment issues and pick up a souvenir for the boat ride home. Family, for her, is the “worst thing in the world,” like a “poison seeping through your veins.” (I don’t think she likes the stuffed flamingo, either.)Įnter Stéphane, the daughter that Serge never knew until now. His oldest daughter, George (Doria Tillier), seems too headstrong for him and the youngest, Jeanne (Céleste Brunnquell), can’t wait to get away. He is the only male character in “The Origin of Evil.” His son, the child he wanted to succeed him, has run off or died or. Serge (Jacques Weber) may not have a “f- off” catchphrase, but he does possess something beyond Logan’s grasp. Think of him as Logan Roy - without the charm. Instead, it’s about an old man named Serge who’s trying to hold onto the family business because he doesn’t think his children are worthy of taking over. This is the situation that Stéphane (the delightful Laure Calamy) finds herself navigating in the opening minutes of “The Origin of Evil,” a dark comic thriller from Sébastien Marnier, the French filmmaker who impressed with his 2018 eco-horror movie “School’s Out.” The title of his latest makes it sound like a horror flick too, something about ancient demons or Ouija boards or the early days of Bill Maher’s late-night talk show. Taxidermy isn’t known to whet the appetite. Mont.If you traveled to Porquerolles, an island on the southernmost tip of the Côte d’Azur, a paradise of white beaches and so many trees that the French call the place a “floating forest,” and you were invited to lunch at a massive villa and, once inside, found yourself in a room crammed full of ceramics, stacks of unopened boxes and a bevy of mounted animals, would you stick around long enough to see what’s on the menu? It could be the remains of the flamingo off in the corner. Not particularly interesting crossword clue.Hoffa's portrayer in The Irishman crossword clue.Overthrow or if reparsed a hint to making sense of four pairs of Across answers crossword clue.OctoLA Times Crossword Answers Search for: Latest Clues.LA Times Crossword Puzzle OctoPrint LA Times Daily Crossword Answers.
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